Vertreten durch: Gregor Hennig - email: Das Impressum gilt für die Internetpräsenz unter der Adresse:
Studio Nord - Mühlenfeldstrasse 23 - 28355 Bremen The amplifier impulse responses can be used with convolution reverbs or amp simulations like The impulse responses only mirror what amplifier, cabinet, microphone and room do with phase alignment and frequency range of the source material. The distortion character of the amplifiers can not be part of convolution, of course. Most impulse responses are parts of setups built as an entity of several direct and room mics and may sound insufficient when using single impulse responses.īlue anniversary JCM900, blue 4x12 setup1 (9 files)īlue anniversary JCM900, blue 4x12 setup2 (9 files)
This is a collection of what I set up for several recordings: none of the impluse responses is meant to be representive for the gear that I used. Deconvolution was done with Voxengo Deconvolver. The recordings were done with Lorenz ÜV-300, Focusrite ISA 215 or DAV Broadhurst Gdns preamps and an Apogee PSX-100. Room mic impulse responses have a "rm" in their file name. Mics were usually placed on axis at a distance of less than one inch. The following impulse responses were recorded at several places by RCA BX44, Neumann CMV3(big bottle) with M7 or M9 Capsule, Neumann U47-tube, Neumann U47-FET, Neumann U67, Neumann KM53, Neumann M49, Neumann KM184, Microtech Gefell M930, Audio Technica AT4033a, Sennheiser MD421, Sennheiser MD211(dynamic omni), Shure SM-57, Shure UnidyneII, MBO KA1000, Electrovoice RE-20.ĭeconvolution was done with Voxengo Deconvolver. The microphones were placed on axis with a distance of approx 10inch (except »far« and »far amb«) and an abbreviation of the microphones name is part of the the file name. The impulse response files above were recorded in the big recording room at
Both were combined with an Acoustic 4x12 Cabinet, preamped with a Gates STA Level and converted via Antelope Orion. The London City 100W has been modified for a larger and more transparent sound, the London City 50W is in original state. The AC30 (early 70s, bulldogs) was recorded with either a 1073 or a Gates STA Level as a preamp and converted with an Antelope Orion.
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